I’ve wondered in the past why writers and directors don’t lean on the found footage format for genres other than pure horror more often.
Sunset Smudge by Jesse LoCascio – A sun-drenched lie
When used as settings in movies and other stories, tropical locations are typically a place of escape or exotic thrill.
All Beauty Queens Have Broken Bones by Max Tullio – Beauty lies within
Young adulthood is a time of inner demons and outer beauty; of high demands and low autonomy.
Fever by Isabella Nemcik – Calling in sick
More young adults live with their parents now than in any previous generation.
The Discoverer of the Discoverers by C.S. Nicholson – On distant shores
In the sixteenth century, a man on the African coast of Kingdom of Whydah, land now known as Benin, saw a ship sailing in the distance.
Shoebox by D’Lo Louis – Reflections of youth
On the wall of teenager James’s bedroom is a vision board.
Anything Helps by Max DeFalco – It’s terminal
Cinema will always have a place for degrading cringe comedy.
Dirty Towel by Callie Carpinteri – Stain remover
“Popping your cherry,” “losing your V-card,” “getting deflowered”
Verbal Diarrhea by Miriam Gabriel – Dance like everybody’s watching
When we have HD cameras in our pockets at all times and a dozen platforms on which to distribute whatever footage we choose to film, it’s easy to use filmed footage — once so expensive and limiting to create — to tell whatever kind of stories we want.
Robotica by Isabella Ivos – The machine never stops
One of the cruel ironies of the 21st century